title only. “Things started to verge on cheesy,” says Radatz. [2] The Bond producers first approached him after being impressed by his title designs for the Donen comedy film The Grass Is Greener (1960). 3. Binder spent the first half of his design career in New York as a graphic designer in advertising, eventually working his way up to Advertising Director for Macy’s department store. Maurice Binder. Fathom. Maurice Binder (August 25, 1925 – April 4, 1991) was a film title designer best known for his work on 14 James Bond films including the first, Dr. No in 1962 and for Stanley Donen’s films from 1958. Binder's work is a great example of how consistency of style … Binder described the genesis of the gun barrel sequence in the last interview he recorded before he died in 1991: That was something I did in a hurry, because I had to get to a meeting with the producers in twenty minutes. Maurice Binder: Maurice Binder was a film title designer best known for his work on 14 James Bond films including the first, Dr. No in 1962. feature. A skill that he would develop over the next years of designing Bond titles. This is a pretty conceptual motion clip, but I’m really proud of what the finished product turned out to be. Maurice Binder was a film title designer best known for his work on 14 James Bond films including the first, Dr. No in 1962. In 1951, Binder directed two short films in the obscure Meet Mister Baby series; these films were preserved by the Academy Film Archive in 2015. Maurice Binder. Maurice Binder meets Saul Bass in this retro opening title sequence for the French spy movie spoof OSS 117 – Cairo Nest of Spies.. All opening credits from movies available on Blu-ray, from Indiscreet (1958) to Hamlet (1990) [1] He did his first film title design for Stanley Donen's Indiscreet (1958). Maurice Binder, who was the king of the James Bond opening sequences, was notorious for getting his work to the studio at the very last minute. A resident of London for 27 years, he was honored last year by the National Film Club. The Bond producers first approached him after being impressed by his title designs for the Donen comedy film The Grass Is Greener (1960). Binder also was a producer of The Passage (1979), and a visual consultant on Dracula (1979) and Oxford Blues (1984). On the 9th of April, 1991, Maurice Binder passed away after suffering lung cancer, in London, England. At least one critic has also observed that the sequence recalls the gun fired at the audience at the end of The Great Train Robbery (1903). Ancestry is a major source of information if you are filling out your Maurice Binder family tree. Maurice Binder (August 25, 1925 – April 4, 1991) was a famous title designer best known for his work with Stanley Donen’s films from 1958 and on 14 James Bond films including the first, Dr. No in 1962. Main Title Designed by: Maurice Binder Animation: Trevor Bond . One surmises that at least some small fraction of the reason behind that habit was Binder not wanting anyone to have the chance to … Binder’s work on the 1970s movies chimed with the spoof-like camp of the Roger Moore era. Episode 5: B Part 2 - Maurice Binder, Don Black, BMW and more On this show, hosts Tom Butler, Brendan Duffy and Tom Wheatley explore the work of Maurice Binder, the man responsible for James Bond's iconic gun barrel design, and countless 007 title sequences. Maurice Binder was a film title designer best known for his work on 14 James Bond films including the first, Dr. No in 1962. Through saturated colours and tantalizing silhouettes, Maurice Binder created the most memorable, eye-catching title credit sequences of the 20th century for the James Bond film franchise. He was born in New York City, but mostly worked in Britain from the 1950s onwards. Maurice Binder. A native New Yorker, Binder's early work included designing advertisements and catalogs for Macy's department store. Having designed title sequences for 14 James Bond films, Maurice Binder created a signature style that used silhouettes and bold typefaces to evoke espionage and intrigue.

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